A comparative study of Chinese opera masks and African ritual masks in soft sculpture from a cross - culture perspective

Abstract

This thesis focused on Chinese Opera masks and African ritual masks, centred on aesthetic design theory (Liangmei, Peking University Press, 2019), it's exploratory and qualitative in approach. This thesis discussed the differences and development of traditional Chinese Opera masks and African Ritual masks, summarized the artistic characteristics of mask colours, studied the historical and cultural connotations in the mask color system, and explored the coloring patterns and essential significance of traditional Chinese Opera and African Ritual masks. Through comparative research, the researcher have found that seemingly unrelated Chinese Opera masks and African Ritual masks share many similarities and differences in their historical development and the spiritual aspects they represent. The researcher have created a new "blended" mask form based on traditional Chinese and African cultural elements, using soft materials and making bold attempts in both conceptual and material selection. We have learned that both Chinese Opera masks and African Ritual masks originate from Worship, serving as tools for communication between humans and gods, and are closely related to traditional culture. They have had a greater or lesser impact on other forms of art and are widely used in contemporary art creation. The researcher believes that this thesis can not only provide reference for future researchers interested in Eastern mask art and African mask art, but also expand the possibilities for mask art production through the use of soft materials.